Why Didnt Grindelwald Flee After Transfiguring Himself in Fantastic Beasts: The Crimes of Grindelwald?
Understanding Grindelwald's Decision in 'Fantastic Beasts: The Crimes of Grindelwald'
In the Fantastic Beasts: The Crimes of Grindelwald, one of the most intriguing questions surrounding Newt Scamander's antagonist, Gellert Grindelwald, is why he didn't flee immediately after transfiguring himself into Bartholomew Clink and escaping from his cell. Delving into the strategic, psychological, and narrative reasons behind his actions, we can uncover the complexities of Grindelwald's character and his ultimate motives.
Strategic Goals
Grindelwald's primary objective is to gather followers and consolidate his power. He sees the escape as a chance to further his agenda rather than a mere act of self-preservation. By staying close to the prison, Grindelwald can manipulate events and influence potential allies to join his cause. His strategic thinking is centered on long-term goals, making him a cunning and calculating individual. This mirrors his earlier ambitions as seen in the first and second films, where he aimed to assert dominance in the wizarding world.
Control and Manipulation
After his escape, Grindelwald aims to assert control over the wizarding world and create a movement. The escape is more than just a physical act; it is a powerful statement of his capabilities and determination. By demonstrating his control over the situation, Grindelwald can inspire fear and loyalty among potential followers. His manipulative nature is evident in his interactions with others, especially with Newt Scamander and Albus Dumbledore. This psychological manipulation is key to understanding his character and his ultimate goals within the story.
The Bigger Picture: Wizarding Supremacy
Grindelwald's long-term vision includes wizarding supremacy over Muggles. Fleeing would not align with his broader plan, which involves rallying supporters and ultimately confronting those who oppose him, such as Albus Dumbledore. His actions are part of a larger narrative that explores themes of power, ambition, and the struggle for control over the wizarding world. The events following his escape only serve to further this narrative and shape the story's progression.
Plot Development: Driving the Story Forward
From a narrative perspective, Grindelwald's actions are essential in driving the plot forward. His escape leads to significant events that shape the story and develop characters such as Newt Scamander and Albus Dumbledore. The events following his escape, including his confrontation with Dumbledore at the Ministry of Magic, are pivotal to the storyline. His continued presence and activities keep the audience engaged and heighten the tension within the film.
It is worth noting that Grindelwald's escape was not without its challenges. The prison he created was magical and tough, making it difficult to escape without a wand. However, Grindelwald, with his advanced knowledge of magic, could have found a way to get out, especially if he performed wandless magic. The real reason, as suggested in various theories, might be that Grindelwald did not want to escape. He may have hoped to manipulate events to his advantage and show remorse for his actions, ultimately leading to a showdown with Dumbledore.
Grindelwald's transformation into Bartholomew Clink and his subsequent escape can also be seen as a form of self-punishment. Despite his aura of power and control, he has doubts and shows remorse for his deeds. This internal conflict is a significant part of his character and adds depth to his storyline. The fact that he ultimately refuses to join forces with Lord Voldemort, even in his darkest moments, further underscores his complex and morally ambiguous nature.
In conclusion, Grindelwald's decision not to flee after transfiguring himself into Bartholomew Clink is driven by his strategic ambitions and his need to manipulate circumstances to achieve his goals. His actions are a testament to the complex character he portrays, one that balances power, manipulation, and a sense of remorse.