Fredo Corleone’s Brilliance Unveiled: Unpacking His Intelligence in The Godfather Part II
The Complexity of Fredo Corleone’s Character in 'The Godfather Part II'
In The Godfather Part II, the portrayal of Fredo Corleone is often seen as one of vulnerability and inadequacy, characterized primarily by his comparatively lower intelligence compared to his brothers, Michael and Sonny. This essay delves into the possible reasons behind Fredo's character portrayal, offering a comprehensive analysis of whether he was born intellectually challenged or was he impaired by an early childhood illness, as suggested by the film.
Fredo's Character and the Possibility of Autism
Recent interpretations of Fredo's character suggest that his portrayal may actually reflect autism. While the film does not explicitly state that Fredo had autism, it is common for individuals with autism to exhibit specific traits such as a unique talent for numbers (a savant syndrome), making it plausible that Fredo's character was indicative of such a condition. This was a strategic decision by the filmmakers, as it further illustrates the film's theme of family loyalty, betrayal, and the complex dynamics within the Corleone family.
Implied Autism and Savant Syndrome in Fredo's Character
During Fredo's childhood, it is mentioned that Vito couldn't afford a doctor for him, and he was treated with crude home remedies. This could have led to his developing a condition that may have impaired certain cognitive functions. It is suggested that Vito sent Fredo to learn about the casino business because Fredo had a natural talent for numbers, making him a savant who was excellent in this area but struggled with other aspects of life. This theory aligns with the savant syndrome, where an individual exhibits outstanding abilities in specific areas, such as mathematics or music, while having difficulties in other areas.
Fredo as a "Fuck Up" or a Human Flaw
Another perspective is that Fredo is simply a "fuck up." This term refers to someone who consistently makes poor decisions, often for selfish reasons and lacking strategic thinking. Their inability to foresee the consequences of their actions can lead to detrimental outcomes. A common sign of a "fuck up" is their tendency to break things or ruin plans, dismissing their mistakes as "no big deal." However, this perspective oversimplifies Fredo's character and overlooks the complexity of his traits and intelligence.
A Head-Canon View of Fredo's Intelligence
In my head-canon, Fredo is smart but not necessarily smart in all areas. He exemplifies intelligence in managing his reactions and staying out of the way of bigger personalities. Fredo's confidence in his abilities, even when faced with challenges, is a testament to his intelligence. He learned his skills from Genco, his older brother, who treated him with affection and allowed him to develop his own interests, such as a talent for staying out of the way while bigger personalities collide.
During the move to Las Vegas, Fredo's cautious approach to learning the casino business is attributed to his strategic thinking. His instinct for observing and understanding the dynamics of a situation shows his intelligence. He was not ignorant of the risks but was simply playing a role to demonstrate his capabilities to Vito and Michael. His frustration with being passed over for important roles is a natural response, and it is an issue that Michael should have anticipated given the dynamics of the family and his own experiences.
Conclusion
Fredo Corleone's character in The Godfather Part II is multifaceted and complex. While the film portrays him as less intelligent, recent analyses suggest that his character may reflect a more nuanced portrayal of intelligence and savant syndrome. Fredo's intelligence is not entirely recognized within the hierarchy of the Corleone family, but it is evident in his ability to navigate complex social and business situations. His character serves as a stark contrast to the other Corleone brothers, highlighting the themes of family loyalty and the impact of personal and family dynamics on a character's trajectory.