Introduction

WandaVision, the highly anticipated series from Disney , has received mixed reviews from audiences around the world. One viewer, a Russian fan, provides a unique perspective in their review of the series' first two episodes. In this article, we analyze the Russian fan's viewpoint and explore the implications of their critique for the broader fanbase.

Episode 1 and 2: Disappointment for Russian Viewers

The first two episodes of WandaVision have left many fans, particularly those from Russia, underwhelmed. To the reviewer, the series felt like a postmodern modernization of 1950s and 1960s sitcoms, a drastic departure from the typical superhero narrative that audiences expect from a Marvel project. This unexpected shift in tone seemed to alienate Russian viewers who, according to the reviewer, were not familiar with these classic sitcoms.

Furthermore, the reviewer emphasizes the lack of excitement and engagement in the show's opening episodes. Unlike their American counterparts, who may feel nostalgic for these broadcasts, Russian viewers were left cold. The reviewer notes, 'I Google the real thing not WandaVision.' This sentiment highlights a disconnect between the show's content and the expectations of international audiences.

Lack of Engagement and Relatable Content

For many Russian fans, WandaVision fails to capture their interest or imagination. The reviewer mentions, 'As a Russian I don’t really care about Wanda or Vision anyway. I’ve never read any comics about them, so Disney needed some long and exciting hooks to catch me with their show. And I saw none of that.' The absence of familiar hooks or relatable narrative elements left the reviewer unenthused and perhaps disinterested in the series.

A Missed Opportunity for Hooking New Audiences

Even though the reviewer had some reservations from the start, there was still a glimmer of hope: the character of Kat Dennings. The reviewer states, 'But I will still watch the show because it will have Kat Dennings at some point and I am kinda her fan.' This indicates that the initial episodes, while lacking in engagement, may still have some appeal for certain viewers based on the presence of an actor they follow.

Fans and critics have pointed out that WandaVision seemingly contradicts established lore, with Vision appearing during a period he should have been deceased. This inconsistency, referred to as 'a lot of rubbish' by the reviewer, further adds to the confusion and disappointment among international audiences.

The Promise of Improvement

Despite the initial disappointment, the reviewer remains hopeful that WandaVision will improve as the series progresses. The statement, 'I hope that WandaVision will get better but its first episodes were extremely underwhelming,' reflects a cautious optimism. It suggests that while the first episodes did not meet expectations, the series has potential to deliver a more satisfying narrative in subsequent episodes.

Conclusion

The Russian perspective on WandaVision provides valuable insights into the series' reception by international fans. While the first two episodes have not met the expectations of many viewers, the show's potential for improvement remains. Factors such as the presence of familiar faces and the possibility of a more engaging narrative in future episodes could still change the sentiment of the audience.

For the broader fanbase, WandaVision raises questions about the balance between honoring established lore and appealing to a diverse international audience. This analysis of the Russian viewpoint offers a unique perspective on the series, one that underscores the importance of cultural and narrative context in the success of superhero storytelling.